Products related to Graphic:
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Co-Designing Infrastructures : Community Collaboration for Liveable Cities
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Paul and His Colleagues : Identity, Collaboration, and Community
Trevor Burke considers Paul’s colleagues and their different relationships with Paul, whether as equals, subordinates, and whether well-known or obscure, tracing how Paul refers to those with whom he associated in his letters.Burke examines these different figures in Paul’s life in depth, including the remarkably large number of women mentioned, and shows how they played key roles through a range of activities in helping establish and maintain Paul’s communities, including, preaching, teaching, visiting, baptizing, and the co-authoring of his letters. Burke employs a sociolinguistic approach to understand Paul’s social relations, arguing that the language Paul uses in his letters is the means whereby he constructs his social network.That is, Paul does not need to use a title (e.g., ‘apostle’) to indicate his role and function or that of his colleagues; rather, he ‘grammaticalizes’ social relations in his letters through his deliberate choice of lexeme (e.g., proper noun) and syntax (e.g., secondary clause) which signifies the value and contribution—and at times disapproval—of those with whom he joined forces.
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Psychological Interventions from Six Continents : Culture, Collaboration, and Community
This book presents psychological assessment and intervention in a cultural and relational context.A diverse range of contributors representing six continents and eleven countries write about their therapeutic interventions, all of which break the traditional assessor-as-expert-oriented framework and offer a creative adaptation in service delivery.A Collaborative/Therapeutic Assessment model, including work with immigrant communities, and Indigenous modalities underscore individual and collective case illustrations highlighting equality in the roles of the provider and the receiver of services.The universality and uniqueness of culture are explored as a construct and through case material.Some chapters describe a partnership with a Eurocentric scientific model, while others adopt a purely community method, preserved with Indigenous language and subjective methodology.This volume brings together diverse therapeutic collaborative ideas, and recognizes relational, community, and cultural psychologies as integral to mainstream assessment and intervention literature.This book is essential for psychologists and clinicians internationally and graduate students.
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The Michiana Potters : Art, Community, and Collaboration in the Midwest
A new pottery tradition has been developing along the border of northern Indiana and southern Michigan.Despite the fact that this region is not yet an established destination for pottery collectors, Michiana potters are committed to pursuing their craft thanks to the presence of a community of like-minded artists.The Michiana Potters, an ethnographic exploration of the lives and art of these potters, examines the communal traditions and aesthetics that have developed in this region.Author Meredith A. E. McGriff identifies several shared methods and styles, such as a preference for wood-fired wares, glossy glaze surfaces, cooler colors, the dripping or layering of glazes on ceramics that are not wood-fired, the handcrafting of useful wares as opposed to sculptural work, and a tendency to borrow forms and decorative effects from other regional artists.In addition to demonstrating a methodology that can be applied to studies of other emergent regional traditions, McGriff concludes that these styles and methods form a communal bond that inextricably links the processes of creating and sharing pottery in Michiana.
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Why is this community so innovative?
This community is so innovative because it fosters a culture of collaboration, creativity, and forward-thinking. The members of this community are encouraged to think outside the box, take risks, and pursue new ideas. There is a strong emphasis on learning and development, as well as a willingness to embrace change and adapt to new technologies and trends. Additionally, the community benefits from a diverse range of perspectives and expertise, which leads to a rich exchange of ideas and innovative solutions.
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Which graphic is better?
It is difficult to determine which graphic is better without more specific information about the context and purpose of the graphics. Factors such as the target audience, the message being conveyed, and the overall design goals would all play a role in determining which graphic is better. It would be helpful to have more details about the specific criteria for evaluating the graphics in order to make a more informed comparison.
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Raster or vector graphic?
The choice between raster or vector graphics depends on the specific needs of the project. Raster graphics are made up of pixels and are best for photographs and complex images with subtle color variations. On the other hand, vector graphics are made up of paths and are ideal for logos, illustrations, and designs that require scalability without loss of quality. It is important to consider factors such as the type of image, intended use, and required level of detail when deciding between raster or vector graphics.
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What are graphic elements?
Graphic elements are visual components used in design to enhance the overall look and feel of a piece. These elements can include shapes, lines, colors, textures, and typography. They are used to create hierarchy, guide the viewer's eye, and communicate information effectively. Graphic elements play a crucial role in conveying the message and aesthetic of a design.
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Community Partnerships with School Libraries : Creating Innovative Learning Experiences
Providing a treasury of community partnership opportunities and resources for innovative learning experiences, this title helps Future Ready Librarians to create authentic, student-centered experiences that address American Association of School Librarians (AASL) standards. As school librarians strive to become Future Ready and meet the new AASL standards, community partnerships can help them to build innovative programs within their districts to realize their school's mission and goals. Placing value on the importance of preparing students for the future, this book encourages librarians to "learn, leap, and grow" and form community partnerships to create learning experiences both in and outside of school.Innovative learning experiences can have a positive impact on student engagement, empathy, knowledge, skills, and local and global awareness.This book introduces ideas, materials, resources, and a step-by-step action plan while highlighting how learning experiences meet AASL standards.A user-friendly and invaluable resource for librarians who desire to be Future Ready, it will catapult librarians to the forefront of their practice and support them as they create innovative learning experiences for their students.
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Vincent: A Graphic Biography : A Graphic Biography
'I know for sure that I have an instinct for colour, and painting is in the very marrow of my bones' The life of Van Gogh has gone down in legend as the archetypal artist’s existence.He was irascible and short-tempered, hugely passionate and emotional, absurdly talented and, for most of his lifetime, notoriously misunderstood and under-appreciated. And yet today, we see him as one of the most inventive, influential and admired painters of the entire Western canon, if not a genius. Taking us through his short but explosive life, this graphic novel paints a vivid picture of Van Gogh’s unusual youth, his famous early failures, his discovery of a new style of painting, his tragic suicide, and the meteoric artistic legacy that followed. For those looking for an introduction to this incredible artist, or searching for a fresh take on his story – this is Vincent Van Gogh’s life as you’ve never seen it before.
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Pathways to Community Engagement in Education : Collaboration in Diverse, Urban Neighbourhoods
This book takes a comprehensive look at community engagement strategies in education to demonstrate the diverse nature of school-community relations and their value to promote their effective development.The author brings twenty years of experience in various educational settings in Ontario and California to examining community involvement policies and their interpretation, as well as school-community collaboration in practice.Chapters include recent research on school-community collaboration from the perspective of teachers, school district leaders, administrators, and support staff within two school districts in a low-income and culturally diverse urban community.The book also includes perspectives from community members involved in organizations across the city with a mandate to work with youth.In a time where students’ academic, social, and emotional support needs are on the rise, this book offers a valuable resource for strengthening school-community relations and demonstrating the power of collaboration.
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Graphic Classics
As seen in Fast Company, Dwell, and Wallpaper* Discover 500 of the world’s greatest graphic designs in one big, bold, and brilliant volume This deep dive into graphic design history presents the work of more than 400 designers across 33 countries and 5 continents, with work dating back to the 14th century. Reimagined from the Phaidon best-seller Graphic: 500 Designs that Matter, the book’s dizzying array of designs range from the Gutenberg Bible to Joy Division album art, with work by both anonymous creators and industry icons such as Aleksandr Rodchenko, Paul Rand, Paula Scher, Ahn Sang-soo, and Julia Born. The generous format and two-part design structure allows designs to be shown in detail, with large images up front and a 300+ word text for each entry in the back – making this equal parts picture and reading book.A design category key adds functionality while indicating the sheer variety of disciplines at work within one medium, from advertising and information design to posters, books, magazines, and logos. This book is the perfect reference guide for design and art lovers, enthusiasts, and professionals at any stage of their careers, as well as all those interested in and impacted by visual communication. Carefully revised to bring every detail up to date, organized chronologically, and with the addition of 50 new examples that highlight designers reshaping the graphic culture of today, this collection is more comprehensive, compelling – and relevant – than ever before. Featured designers include: Reza Abedini, Otl Aicher, Herbert Bayer, Max Bill, Laurenz Brunner, A.M. Cassandre, Joseph Churchward, Alan Fletcher, Federica Fragapane, Graphic Thought Facility, Béla Horovitz, Eric Hu, Shira Inbar, Tibor Kalman, Amos Paul Kennedy, Jr., Frith Kerr and Amelia Noble, Anita Klinz, El Lissitzky, George Lois, Karel Martens, Bruno Munari, Nontsikelelo Mutiti, Hassan Rahim, Aleksandr Rodchenko, Stefan Sagmeister, Koichi Sato, Paula Scher, Elena Serrano, Ladislav Sutnar, Ikko Tanaka, Jan Tschichold, Carol Twombly, Jop van Bennekom, Andy Warhol, and Tao Yuan-qing.
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What is graphic technique?
Graphic technique refers to the methods and processes used to create visual art and design. This can include drawing, painting, printmaking, digital illustration, and other forms of visual communication. Graphic techniques can involve the use of various tools and materials, such as pencils, pens, brushes, and digital software, to create images and designs that convey a specific message or aesthetic. These techniques are often used in fields such as advertising, publishing, and web design to create visually engaging and impactful content.
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What is graphic drawing?
Graphic drawing is the creation of visual art using traditional or digital tools such as pencils, pens, markers, or computer software. It involves the use of lines, shapes, and colors to convey ideas, emotions, or messages. Graphic drawing can be used in various forms such as illustrations, comics, concept art, and design. It is a versatile and expressive medium that allows artists to communicate their vision in a visual form.
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What is the exact difference between a graphic analysis and a graphic interpretation?
A graphic analysis involves examining the visual elements of a graphic, such as its colors, shapes, and layout, to understand its design and composition. It focuses on the formal aspects of the graphic and how they contribute to its overall impact. On the other hand, a graphic interpretation involves delving deeper into the meaning and message conveyed by the graphic. It considers the context, cultural references, and symbolism within the graphic to uncover its intended or inferred significance. In essence, while a graphic analysis looks at the visual elements, a graphic interpretation seeks to understand the deeper meaning behind those elements.
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Who are famous graphic designers?
Some famous graphic designers include Milton Glaser, known for creating the iconic "I ❤ NY" logo, and Paula Scher, a prominent designer at Pentagram known for her innovative typography and branding work. Stefan Sagmeister is another well-known designer recognized for his unique and experimental approach to design. These designers have made significant contributions to the field of graphic design and have had a lasting impact on the industry.
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